Breathing Life Into FictionUse the Five Senses to Bring a Story to Life
A skillful writer can create atmosphere and evoke feeling by weaving the five senses into a piece of fiction.
Description does not require lists of adjectives but can be as simple as a word or two slotted in at the right place. When writing a story, examine it carefully and see if it’s lacking in warmth or reality and then go through the senses one by one and see if it can be improved. A scene in an Indian restaurant is a good example of how to use the senses to build a rounded picture. SightThis is probably the most used sense in fiction. In our example, we have a character walking down the street towards the restaurant. Which of these two descriptions draws a more positive response?
The second line creates more atmosphere. SmellThere are very few places that don’t have some kind of odor, even if it is slight. Aromas and stenches alike, can draw the reader into the heart of a scene.
The second example is more memorable although it says basically the same thing. Look for simple but different ways to state the obvious. HearingHearing can be an important part of any scene. Think voices, accents, tones, and background noise. What would the character be aware of in a given situation?
The second sentence gives an indication of the intensity of the sound. TouchTouch is a powerful sense and used wisely, can add richness and depth to any scene. It can be neutral, negative or positive and can reveal the state of mind of a character.
Touch is the language of love and hate and can be used to convey great depth of feeling. TasteTaste is not as easy to portray as the other senses but can still be a powerful medium of expression. Experiment with different ideas of how to explain taste.
Practice describing tastes – a fine wine, a bitter fruit, a sweet pumpkin pie. Let the story come to life as readers imagine in vivid detail what the character is experiencing. It’s not necessary to involve all five senses all the time. Analyze a scene and see which ones are essential and work around those. For example, a scene in a perfumery would obviously involve smell. A mountain rescue scene in icy snow would focus on touch. A story of a deaf woman’s world would centre on sound. It can be useful to write down inspired sentences and snippets and use these as a springboard for fresh ideas. The important thing is to keep working at it.
The copyright of the article Breathing Life Into Fiction in Writing Fiction is owned by Debbie Roome. Permission to republish Breathing Life Into Fiction in print or online must be granted by the author in writing.
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