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Point of View Definitions and ExamplesExplanation of First Person, Third Person, Limited, Omniscient POV
The Point of View (POV) determines the narrator of a story and how much the reader knows. Writer use first, second or third person, limited or omniscient, with purpose.
First, second and third person Point of View (POV) specify through whose eyes the story is told. Limited or omniscient viewpoints, and subjective or objective modes, determine what details and thoughts the reader is allowed to know. Specific definitions vary slightly, but they generally fall into these categories: First Person Point of ViewFirst Person POV is a story told in the narrating character’s own voice. It uses “I” throughout, and the reader doesn’t know any more than the character does.
If the reader is to know that Mom is angry, it must be shown through her words and body language available to the “I” character, and not through Mom’s thoughts (unless psychic abilities are one of the narrator’s traits). Second Person Point of ViewStories told in second person are told as if telling someone else what they are doing.
While second person POV is occasionally used in literary stories, and was successful in Jay McInerney’s Bright Lights, Big City, it is generally considered to distance the reader instead of drawing them into to identify with the character. One of its common uses today is in interactive fiction, such as the “Choose Your Own Adventure” stories. Third Person Point of ViewThird person is the familiar he said / she said story.
Depending on the author’s choice, it can be very limited, pulling the reader into the head of the narrator, or completely omniscient, letting readers see all the characters’ thoughts. Limited Point of ViewA limited POV keeps the narration to what that character can see or know. First person is obviously limited, but many third person stories are as well. Everything is seen through the narrator’s eyes, and the reader can only tell what other characters are thinking or feeling by their body language or what they say. The writer also can’t include description such as “the usual vase of flowers sat on the table,” unless the narrator knows that it is usual for flowers to be there. Many books today are written with a limited POV, including:
Omniscient Point of ViewAn omniscient POV lets the author dip into the heads of various characters. When done well, it can be very effective, letting more characters’ thoughts, feelings, and background be shown. The disadvantage is that of a constant reminder of a constructed story, and so adds some distance between the reader and the characters. When used by less-skilled writers, the result is often a muddled jumping-about of thoughts, creating discomfort for the reader. Examples of stories with an omniscient POV include:
Multiple Points of ViewA story with multiple points of view is not the same as omniscient. Multiple viewpoints let the reader into different characters’ heads by making complete narrative switches, usually in different sections or chapters. Within those sections, however, the narrator is held to a single, usually limited, viewpoint. Stories using multiple POVs include:
Objective and Subjective ModesWithin these categories, the writer can use an objective or subjective mode. Subjective can include thoughts and internal reactions, such as “She ordered her favorite soup, remembering the weekend John had convinced her to try it.” Objective keeps a camera’s view, showing the action but not the thoughts. “She ordered asparagus soup. John smiled. ‘Do you remember?’ he asked.”
The copyright of the article Point of View Definitions and Examples in Writing Techniques is owned by Jennifer Jensen. Permission to republish Point of View Definitions and Examples in print or online must be granted by the author in writing.
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